For the fourteen ‘luddites’ who were executed in 1813
thin rain rounds
almost everything
over and again
over and again
and sounds like kindness
moving over the moors
and the wooly walls of stone fields
until it reaches mist
and begins to be everywhere
all at once, like sickness
searching the blind edgelands
for any profit
deep enough to stick
but there is more than one way to count a cost
in York Castle
in the year of our lord 1813
in the pull of a lever
is the execution
the law and the sentence
dropped as one
sound
rounded in weighty hang
the wet thrash of seventeen faces
the day straining
against the clatter of iron and flesh
while a crowd of cottage cool
faces gather the bloodless blues
and grey-eyed skies
in an embodied end to movement
still warm in their coarse
woolen coats
suspended
like a cloud-damp shadows
a haunting threat
because
smashing machines
is sophisticated
organized and organic
and a capital crime
that hangs like flies
round the pockets
of dead luddites
dreaming of field tracks
and sweeping the grass for machine parts
and knowing how many lashes
secure the windows of Nottingham
for King Ludd
because there’s
nothing but the wriggling fingers
of industrial martyrs
in the broadsheets today
stung mid-stocking
with a need to smash
apparently
livid shake of violent North
your name
legendary round the corridors
of palaces and factories
and the feet of scurrying business
and spoken tight
in a noosed tongue
along the tide-worn Thames
Nedd Ludd
headless among
the day-breaking hammers
and the velvet heat of industrialists
where are you in the heather, crouching
between sunshine and rain and the slim charm
that slips under the factory gate at midnight?
all that Victorian drama; the moors and the murders
the darkness in the term luddite: inept, angry, absent
shouldering the wet cling of history
but darkness has a colour; between wet thatch
and horsetail, and our lives spark among the blue ash
of tavern laughter; the happy nothing of the road
in every direction.
light, too, has a shade, a patient violet
pooling in the eyes of a scattered many
gathering over and again
and over and again.