For the fourteen ‘luddites’ who were executed in 1813 thin rain rounds almost everything over and again over and again and sounds like kindness moving over the moors and the wooly walls of stone fields until it reaches mist and begins to be everywhere all at once, like sickness searching the blind edgelands for any profit deep enough to stick but there is more than one way to count a cost in York Castle in the year of our lord 1813 in the pull of a lever is the execution the law and the sentence dropped as one sound rounded in weighty hang the wet thrash of seventeen faces the day straining against the clatter of iron and flesh while a crowd of cottage cool faces gather the bloodless blues and grey-eyed skies in an embodied end to movement still warm in their coarse woolen coats suspended like a cloud-damp shadows a haunting threat because smashing machines is sophisticated organized and organic and a capital crime that hangs like flies round the pockets of dead luddites dreaming of field tracks and sweeping the grass for machine parts and knowing how many lashes secure the windows of Nottingham for King Ludd because there’s nothing but the wriggling fingers of industrial martyrs in the broadsheets today stung mid-stocking with a need to smash apparently livid shake of violent North your name legendary round the corridors of palaces and factories and the feet of scurrying business and spoken tight in a noosed tongue along the tide-worn Thames Nedd Ludd headless among the day-breaking hammers and the velvet heat of industrialists where are you in the heather, crouching between sunshine and rain and the slim charm that slips under the factory gate at midnight? all that Victorian drama; the moors and the murders the darkness in the term luddite: inept, angry, absent shouldering the wet cling of history but darkness has a colour; between wet thatch and horsetail, and our lives spark among the blue ash of tavern laughter; the happy nothing of the road in every direction. light, too, has a shade, a patient violet pooling in the eyes of a scattered many gathering over and again and over and again.