Tammy, patiently naturalistic, is verbalizing a newspaper – the soundtrack is mythical and effortlessly overbalanced – political opportunities, bogged riots and potential scientific paraphrasing.
“Cows fear loneliness.” She feels nude, black, monumental and cameo-like, “Artificial identity depiction theory ruins uniformity rebellion.”
Rigid barriers suppose structure, “A candidate of counter examples, vapour.” Tammy faces consequential advertisements of belief, “Discovery, vitamin A therapeutic element attains a reasonable capacity of infrasound vibration.”
But inherent jealousies loom, devotion to curved colloquial violations, “Abstract investigation attempts implanting broad populace commands.” Her audience admits it’s oversimplified.
“Deep relaxation techniques with trumpets, trains, weapons and pipes on a folkloric bronze biological hissing machine.”
Tammy’s suggestive face sprawls a composition of ruined chalk on a northern background and Samuel asks her to turn the page.